North Dakota

With a rope and a mission, like-minded neighbors found lynching to be a simple and efficient way to obtain what they regarded as certain justice.

Northern plains lynch mobs shared a belief that what they did resulted in swift and sure justice, which the established courts would not or could not provide. Juries might be reluctant to impose the death penalty, and if a suspect were tried, found guilty, and sentenced to life in prison, they might be prematurely pardoned. Perpetrators might successfully evade punishment by using insanity pleas. With a rope and a mission, like-minded neighbors found lynching a simple and efficient way to obtain what they regarded as certain justice.

The distrust many citizens had of the legal profession seemed rooted in the perception that lawyers and the complicated law they practiced appeared to offer more justice to criminals than to crime victims. That distrust extended to jurors considered too soft-hearted to mete out appropriate punishment. Do-it-yourself justice among the lynch mobs seemed fairer and quicker than waiting for what they considered unreliable juries, lawyers, and judges. Perhaps those who disparaged lawyers and the rule of law—and sought to bypass them with a rope—simply did not understand the complexities of American jurisprudence. Based on centuries-old English common law, the court system was malleable and did respond to changing ideas and mores, but these changes came slowly. The people who made up the mobs were unwilling to patiently await such incremental adjustments.

Lynched examines the events surrounding, and the media portrayal of, nine mob murders that resulted in eleven deaths on the northern Great Plains from 1882 to 1931. Revealing a disturbing part of history, Lynched aims at uncovering the stories of these lynchings while shedding light on the volatile mentality of the communities where such injustice happened.

ISBN: 978-1-946163-59-2
Page Count: 320
Picture Count: 29 black and white images
Index: Yes
Bibiliography: Yes
Hardcover
Publication Date: April 13, 2024

The All-American Turkey show, which met in Grand Forks, North Dakota, from 1924 to 1942, brought people from across the contiguous US to the northern plains to exhibit their prize turkeys. The show served multiple purposes, including encouraging farmers to diversify production and increase their incomes by raising turkeys. Mostly farmwives took up the call, managing the farm’s turkey flock; two-thirds of the turkeys exhibited at the shows were raised and exhibited by women. They also attended the Education Sessions at the shows, where they learned how to care for their flocks and to select breeding stock in order to bring their turkeys as close as was humanly possible to the exacting standards adhered to by the show’s judges.

Another purpose of the shows was to encourage consumers to eat more turkey and to eat it throughout the year, not just during the holiday season. In part, to fulfill this purpose, the shows introduced competition in dressed turkeys and boxed and canned turkeys.

Finally, the shows were intended to be truly “All-American” by providing an opportunity for “turkey folk” to gather for a week each year to compete for more awards than were offered at any other poultry show, renew acquaintances, make new friends, and enjoy each other’s company. That the shows succeeded handsomely in this purpose was evidenced by exhibitors from eighteen turkey-producing states and five Canadian provinces.

The All-American Turkey Show was done in by its success. By the eve of World War II, its purposes had been fulfilled and the shows were being held for little reason other than that there seemed to be no graceful way to discontinue them. It was the war, with its shortages of labor, gasoline, and rubber, that brought the All-American Turkey Shows to a merciful end. Shows were suspended for the duration of the war on the assumption they would begin again at war’s end. They did not, and the All-American Turkey Shows passed into history.

ISBN: 978-1-946163-67-7
Page Count: 452
Picture Count: 12-page color photo gallery, 37 black and white images
Index: Yes
Bibiliography: Yes
Paperback
Publication Date: April 13, 2024

The All-American Turkey show, which met in Grand Forks, North Dakota, from 1924 to 1942, brought people from across the contiguous US to the northern plains to exhibit their prize turkeys. The show served multiple purposes, including encouraging farmers to diversify production and increase their incomes by raising turkeys. Mostly farmwives took up the call, managing the farm’s turkey flock; two-thirds of the turkeys exhibited at the shows were raised and exhibited by women. They also attended the Education Sessions at the shows, where they learned how to care for their flocks and to select breeding stock in order to bring their turkeys as close as was humanly possible to the exacting standards adhered to by the show’s judges.

Another purpose of the shows was to encourage consumers to eat more turkey and to eat it throughout the year, not just during the holiday season. In part, to fulfill this purpose, the shows introduced competition in dressed turkeys and boxed and canned turkeys.

Finally, the shows were intended to be truly “All-American” by providing an opportunity for “turkey folk” to gather for a week each year to compete for more awards than were offered at any other poultry show, renew acquaintances, make new friends, and enjoy each other’s company. That the shows succeeded handsomely in this purpose was evidenced by exhibitors from eighteen turkey-producing states and five Canadian provinces.

The All-American Turkey Show was done in by its success. By the eve of World War II, its purposes had been fulfilled and the shows were being held for little reason other than that there seemed to be no graceful way to discontinue them. It was the war, with its shortages of labor, gasoline, and rubber, that brought the All-American Turkey Shows to a merciful end. Shows were suspended for the duration of the war on the assumption they would begin again at war’s end. They did not, and the All-American Turkey Shows passed into history.

ISBN: 978-1-946163-55-4
Page Count: 452
Picture Count: 12-page color photo gallery, 37 black and white images
Index: Yes
Bibiliography: Yes
Hardcover
Publication Date: April 13, 2024

Roller derby is an odd place to strike a balance in life, but Sammi straps on her skates, adjusts her spandex, tests her center of gravity, and scores points with her no-punches-pulled memoir. Hardcover.

2018 Foreword INDIES Award Finalist in TWO categories: Autobiography/Memoir, LGBT Nonfiction; 2018 Gold Medalist in IPPY Awards for Cover Design, by Jamie Hohnadel Trosen

Timothy Murphy's poetry explores themes of faith, family, spirituality, death, friendship, and love, all rooted in place—the Red and Sheyenne River watersheds, North Dakota, and the Great Plains. Devotions, his newest collection, revives a major but neglected poetic genre with variety and amplitude. In 200+ short poems, he explores the vicissitudes of modern spiritual life, including his passions for hunting, Scouting, and people.

Jamie Parsley’s first book of short fiction contains 15 stories (and one play) of Dakota at mid-Twentieth Century, a time when morals, ideals and society in general were in flux. Capturing the “Prairie Gothic” genre, these stories are, at turns, tender and haunting, mystical and stoically unflinching, furtive and emotionally raw, violent and humorous. These characters in them struggle with overwhelming loss, tenuous faith, persistent doubt, nagging obsessions, haunted affection and, of course, an unpredictable natural world in which they ultimately find themselves exposed and vulnerable.

ISBN - 978-0-911042-80-1
Copyright 2014
Softcover
200 pages