New Titles
In Order That Justice May Be Done: The Legal Struggle of the Turtle Mountain Band of Pembina Chippewa, 1795-1905
Tribal lands in tribal hands restrained the pursuit of profit. When the cultural identity of the Turtle Mountain Band of Pembina Chippewa was challenged by European Americans—who conceived of progress in terms of cultivated farmland—a tribal-federal conundrum occurred. Historian John M. Shaw untangles the culturally and legally contested concepts of land and its uses and ownership, providing a dynamic legal genesis of the Turtle Mountain Chippewa and their intentional action for change. Shaw presents a crucial analysis of federal policy and Native American resistance.
“Shaw systematically informs the reader of historical context and lays out the complex cultural influences—the nucleus of an emerging nation—of the Pembina Chippewa, providing unique insights into historical, legal, and political struggles. An overarching theme is the contrast and comparison of Indigenous and Western worldviews relative to international diplomacy. Shaw’s laser focus presents a critical and authentic analysis of social, economic, political, and cultural events that enveloped the Pembina Band of Chippewa and the United States of America.”—Les LaFountain, Tribal Educator and Historian; former Turtle Mountain Band of Chippewa Tribal Council Representative; former Legislative Assistant to the United States Senate Indian Affairs Committee
“In Order That Justice May Be Done is an excellent history of the struggle experienced by the Turtle Mountain Band of Chippewa to gain recognition as a tribe and to gain control of their homeland. The documented efforts of Chief Little Shell and Attorney John Bottineau deserve to be recognized and understood.”—Carol A. Davis, Senior Associate Tribal Nations Research Group; Turtle Mountain Community College Co-founder and Second Interim/Acting TMCC President
LCCN: 2022951183
ISBN: 978-1-946163-56-1
6" x 9"
440 pp., paperback
black & white photos and maps
bibliography and index
Tribal-Federal Relations | History 19th Century | Indian Reservations—Law and Legislation
About the Author: John M. Shaw grew up where George Washington led the Continental Army across the Delaware River and surprised the Hessian garrison at Trenton, New Jersey, on Christmas day, 1776. One of John's earliest childhood memories recalls his parents bundling him up on Christmas mornings to watch the annual reenactment. This tradition sparked his lifelong interest and passion for history, culmininating in an MA in American Indian Studies and a PhD in History, both from The University of Arizona.
In graduate school, a colleague informed John about a compelling microfilm of an eloquent prayer, address, and legal brief on behalf of the Turtle Mountain Band of Pembina Chippewa. Compiled by Métis tribal citizen and attorney John B. Bottineau, these inspiring documents provided a unique Indigenous perspective on the injustices of federal Indian policy. The tribe's legal struggle for land, sovereignty, and justice derived from the power to narrate their own side of the story through articulate chiefs and delegations, confirming that North Dakota's most populace Indigenous community remain a powerful people with a compelling history.
John contributed multiple entries to Making it in America: A Sourcebook on Eminent Ethnic Americans (2000) and The Encyclopedia of United States-American Indian Policy, Relations, and Law (2008), as well as several book reviews for UCLA's American Indian Culture and Research Journal and the New Mexico Historical Review. He has taught Native American and U.S. History courses for the departments of American Indian Studies, American Multicultural Studies, and History at The University of Arizona (1996–2003), Minnesota State University Moorhead (2004–2005), and Portland (Oregon) Community College (2005–present).
Gratitude with Dogs under Stars
Gratitude with Dogs under Starsfeatures selections from Debra Marquart’s three collections of lyric poetry (Small Buried Things, New Rivers Press 2015; From Sweetness, Pearl Editions 2001; and Everything’s a Verb, New Rivers Press 1995) and adds twenty-one new poems to round out the experience. Beginning with the new poems, the collection travels back through Marquart’s illustrious career. Long-time fans and newcomers alike can track the trajectory of this poet laureate’s poetic life thus far—the quiet serenity of walking dogs under a starry sky, the horrors of fracking, the beginnings of a tender relationship at a firing range, reflecting on the follies of a youthful life lived carefree.
Debra Marquart is Distinguished Professor of Liberal Arts & Sciences and teaches in the MFA Program in Creative Writing and Environment at Iowa State University, as well as the Stonecoast Low-Residency MFA Program at University of Southern Maine. Marquart serves as Iowa’s Poet Laureate and the Senior Editor of Flyway: Journal of Writing & Environment. The author of seven books—including the memoirs The Horizontal World: Growing Up Wild in the Middle of Nowhere (Counterpoint 2007) and The Night We Landed on the Moon (North Dakota State University Press 2021)—Marquart has been featured on NPR and the BBC and has received over 50 grants and awards including an NEA Fellowship, a PEN USA Award, a New York Times Editors’ Choice commendation, and Elle Magazine’s Elle Lettres Award. In 2021, Marquart was awarded a Poets Laureate Fellowship from the Academy of American Poets. For more information: debramarquart.com
Paperback, 278 pp
BISAC:
- POE024000 Poetry / Women Authors
- POE023040 Poetry / Subjects & Themes / Places
- POE023050 Poetry / Subjects & Themes / Family
- POE005010 Poetry / American / General
Catch and Release
Charles “Catch” Sherman has lived at the corner of Fourth and Lafayette—in the house his grandfather built—his entire life. While content in the river town of Beaumont, Iowa, he knows life will be different for his eldest daughter, Edie, a gifted physics student. Set in the late 1950s through the 1970s, Catch and Release is a story about holding on, letting go, and the leaps we must take to become the people we are meant to be.
Dakota Dreaming
Dakota Dreaming returns us to the ancient core of poetry a spiritual quest. But this book offers no standard hero's journey--no daring descent int the underworld, no triumphant, hopeful return. It offers, rather, a gathering of visions received by one who has learned to dwell indefinitely in the liminal space between realms. While much of the collection in written in the Japanese haibun form, Buettner's imagery is rooted deep in North American prairie soil. Her poems are like "abandoned houses that let the gold of afternoon light filter in through open windows," offering some brief, imperfect respite for "those of us who have lost our way." And when the daylight fades and darkness becomes complete, Buettner guides us: "I borrow the light / of snow."
--Brendan Stermer, author of Forgotten Frequencies (NDSU Press, 2023)
All-American Turkey Show: When Grand Forks, North Dakota, Was the Turkey Capital of the World, 1924-1942, The
The All-American Turkey show, which met in Grand Forks, North Dakota, from 1924 to 1942, brought people from across the contiguous US to the northern plains to exhibit their prize turkeys. The show served multiple purposes, including encouraging farmers to diversify production and increase their incomes by raising turkeys. Mostly farmwives took up the call, managing the farm’s turkey flock; two-thirds of the turkeys exhibited at the shows were raised and exhibited by women. They also attended the Education Sessions at the shows, where they learned how to care for their flocks and to select breeding stock in order to bring their turkeys as close as was humanly possible to the exacting standards adhered to by the show’s judges.
Another purpose of the shows was to encourage consumers to eat more turkey and to eat it throughout the year, not just during the holiday season. In part, to fulfill this purpose, the shows introduced competition in dressed turkeys and boxed and canned turkeys.
Finally, the shows were intended to be truly “All-American” by providing an opportunity for “turkey folk” to gather for a week each year to compete for more awards than were offered at any other poultry show, renew acquaintances, make new friends, and enjoy each other’s company. That the shows succeeded handsomely in this purpose was evidenced by exhibitors from eighteen turkey-producing states and five Canadian provinces.
The All-American Turkey Show was done in by its success. By the eve of World War II, its purposes had been fulfilled and the shows were being held for little reason other than that there seemed to be no graceful way to discontinue them. It was the war, with its shortages of labor, gasoline, and rubber, that brought the All-American Turkey Shows to a merciful end. Shows were suspended for the duration of the war on the assumption they would begin again at war’s end. They did not, and the All-American Turkey Shows passed into history.
ISBN: 978-1-946163-67-7
Page Count: 452
Picture Count: 12-page color photo gallery, 37 black and white images
Index: Yes
Bibiliography: Yes
Paperback
Publication Date: April 13, 2024